The goal of the Professional Independent Publisher (PIP) program is to help overcome the mainstream stigma of self-publishing by providing a certification process that will qualitatively evaluate applicants for their knowledge, understanding, and implementation of the professional book publishing process.
The PIP program will utilize a benchmark standard and should function to produce authors who understand the industry and how to do business in it to achieve their respective publishing goals and satisfy the needs of their respective target markets.
We intend for it to achieve these means by helping to educate a Publisher on how to better market and position themselves for book sales, and then once they are PIP certified, the certification itself would indicate to more prominent reviewers, larger distributors, and other institutional entities, that this Publisher is worth their time.
The program will have to have a method for measuring qualitative and quantitative characteristics of the publishing company as well as a process for allowing analysis of the publishers' books.
From an institutional standpoint the certification program and resulting certification award should be meaningless as a marketing tool to the general public. To begin with, its entire function should be to inform the industry “gatekeepers”, who currently limit their involvement with independently produced book titles due to increased risk of investment, that the book in question has met their standard of quality.
To make this a reality, we will need feedback from the key players within the publishing industry. In that regard, we would like to see an advisory board composed of big names within the industry as well as pragmatic voices from the small press community. While this advisory board is still in preliminary stages, we have begun the process of establishing the PIP criteria by creating Best Practices discussion threads.
To view the index of criteria topics visit here:
http://www.spannet.org/page/pip-input-criteria
If a certification program can differentiate between a mediocre product and a great product then the industry gatekeepers can use such a certification program to expand the flow of independent books into their systems in way that is profitable for the gate-keepers, publishers, and authors.
Likewise, the certification program can help make Independent Publishers more self aware of their place within the industry, helping them to best utilize their resources in selling books and/or achieving their goals.
Started by Sandra Adell. Last reply by Bradley Flora Jan 6. 11 Replies 0 Promotions
Hi, Scott:The biggest problem we face as self-publishers is the stigma of producing very badly written and manufactured books. That's not to say that the big publishing houses don't also put out bad…Continue
Tags: Chicago, Book, Clinic, publishers, self
Started by Bradley Flora. Last reply by Bradley Flora Apr 22, 2011. 1 Reply 0 Promotions
With the depth of information that we are collecting through the PIP Criteria Input process, I decided to create one more discussion thread that would be a specific place to catalog the actual PIP…Continue
Tags: Criteria, Evalutation, Qualitative, Professional, self
Started by Bradley Flora. Last reply by Bradley Flora Apr 16, 2011. 24 Replies 0 Promotions
The goal of the Professional Independent Publisher (PIP) program is to help overcome the mainstream stigma of self-publishing by providing a certification process that will qualitatively evaluate…Continue
Tags: Professional, self, publishers, independent, PIP
Started by Scott Flora. Last reply by Tambra Kendall Mar 22, 2011. 4 Replies 0 Promotions
Hello Everyone, Membership in the Authors Guild and the American…Continue
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Lynda,
I'm not surprised. I have a friend who's sold over 10,000 and she still isn't listed in RWA's Published Author Network because she pubs the books herself.
I really hope the certification will catch the attention of these professional writing organizations. It shows we care about the books we publish. I'm thrilled to be a part of this!
Hugs, Tambra
I will tell you in all honesty, Romance Writers of America has always gone with the traditional publishers. Possibly with so many people self-publishing and possibly authors demanding to be represented (just guessing on this aspect) by the organization they pay dues to, it appears RWA is being forced to consider epublishing and self-publishing. If they don't change, I will leave. The fans who buy the books is what is most important, and my writing the best books I can.
I had suggested to RWA a few years ago that they should have a tiered membership for published authors, have one criteria for traditional publishers and one (that is fair) for epubs/indie/small press.
Basically, I stay with RWA because there really isn't any other focused romance writing organization. I want to taken seriously and being a member of the largest professional writing organization does give a bit of credibility. *sigh*
Bradley, you might ask for Allison Kelley at RWA or Ms. Ritter who I think handles the epub stuff.
Hugs, Tambra
I feel that SCBWI does not recognize self-publishers are being published yet and have felt much the same feelings you had. When I ask to have one of my books submitted for a contest they emailed me that I was NOT qualified! BUT they did decide to add my book to the contest.
Jan
Bradley,
You are correct in your assumption, at least regarding RMFW. It is a blanket policy intended to keep out, in their words, poor quality self-published books. They also require a copy of the author's publishing contract as verification that any books in the conference sale are not self-pubbed, or pubbed by a vanity press or a press "too small," as I was told. My attorney says a contract is none of their business, especially for something like a conference sale. I agree.
Frankly, I think these organizations are shooting themselves in the foot when they blanket exclude small presses and self-pubbers and don't even remotely consider the author or the book. It's a missed opportunity for all, so I'm glad for this effort to overcome the problem.
Kathleen
I missed the comment about problems with SCBWI. I was interested in that since I went to a local group and felt judged because I was a self-publisher. Once I mentioned that I had sold 3,000 books they changed their tune a little bit, but I haven't gone back. So what did I miss?
Hi Bradley, Janice, Tambra and Kathleen,
I too have been following this discussion. I have a similar problem with SCBWI as some of you. PIP will be very important for us, I think.
Thanks, Bradley for helping to move the goal post!
Jan
Kathleen, Tambra, and Janice,
I’ve been following all of your posts on this wall over the last week, but this is the first chance I’ve had to respond, so my apologies for the delay and for the necessity of this blanket comment.
To begin, I really appreciate all the anecdotal information about the Romance Writers of America, the Mystery Writers of America, and the Rocky Mountain Fiction Writers conference as the more information and the more perspective that are shared, the better this program can become! Thank you!
Right now, we are gearing up for the next round of development of the PIP program, and that means that we (collectively) have the chance to establish exactly what it would mean to be PIP certified.
We’re currently considering how the program could have different types of value for 1-title publishers, and publishers with a backlist. Specifically, 1-title publishers are the ones who deal with the stigma the most, and who could most benefit from a program like this that could highlight their worth.
The program will only be as valuable as the doors that it opens, and I think that it is fair to say that there would be a great benefit to many publishers if associations like the RWA and MWA had a way to better work with small publishers.
We are also evaluating the PIP certifications place within the changing landscape of the publishing industry. I’m taking a very critical look in this regard, and I would love to hear some thoughts on it. What I am specifically asking is, how does the digital revolution in publishing impact a PIP program’s place within the industry?
I think the first thing to acknowledge is that all that talk on the blogosphere about ebooks and digital revolution allowing publishers to sell books and circumvent the “Gatekeepers” of the publishing industry is from a very mainstream perspective. The “Gatekeepers” as far as I can tell in those cases, are the big publishing companies that have had control over the traditional publishing industry for quite some time.
In our world, the world of independent publishing, we have our own “Gatekeepers”, the RWA for example. And while the digital revolution has allowed independent publishers to reach their demographic through Amazon and the Internet, I know that there is more to selling a book then just providing a place to buy it.
And obviously, the RWA is conscious of these changes and I’m sure that one of their points of concern in regard to small publishers, as they move forward, concerns everyone's credibility.
I believe that the PIP program could be a good fit for the RWA and other writers associations because it would allow them open their doors to small publishers while still vetting them as members.
These policies of discrimination based on publisher size and depth of published titles, are shotgun policies designed to keep the more amateur publishers from joining the association.
A certification that could help establish a Publisher’s worth and professionalism could be used, in place of these policies, to allow the small press community to receive the support that it needs, while not limiting the activities of these associations.
And I admit, I am making some serious assumptions about the motivations behind the RWA, MWA, and RMFW policies. Maybe it has nothing to do with credibility. Maybe it’s overhead or cost or whatever. I don’t know because I have not yet spoken with any representative from those organizations. While I believe my assumptions are sound, I plan to contact these, and other, associations directly to begin a true dialogue with them.
Thank you all for helping to lay the groundwork in that regard, and thanks again for sharing your thoughts and stories.
Sincerely,
Bradley flora
For book awards, check the submission requirements of the award you would like to submit to. Some only accept from publishers, some don't care one way or the other. Colorado Book Award will accept nominations from the author, pub, or anyone else. They do not take ebooks (yet). I nominated my last book, A Land Beyond Ravens, myself, just on a lark, and lo and behold it won its category!
I said in my last post about RMFW that self-pubbing didn't come up in the issue, but if it had, that would also have prevented the books from being sold at their conference.
Cheers,
Kathleen
Forgot to ask: What is the cost for Publisher Cert going to be? I'm on a fixed income and I'm just starting out with my company.
Thanks!
Tambra
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